It’s amazing (SO AMAZING) how context and personal associations can influence–and change–one’s enjoyment of
2004 was a key year on both sides of the Pacific as far as my music interests go. In America, hip-hop heads were witnessing the release of The College Dropout, the anticipated debut album from then-hot-producer-turned-hungry-yet-unproven-rapper Kanye West that would open to rave reviews, tons of radio airplay, and an auspicious start to what has become a long and notorious career in the mainstream spotlight. In Japan, Hello! Project had turned half of its H!P Kids roster into a new group called Berryz Kobo, who debuted with their own hip-hop flavored release in “Anata Nashi de wa Ikite Yukenai” to start off their own decade-long run at J-idol stardom.
Unfortunately circumstances would not allow me to enjoy either artist’s rookie year. Before I could even get around to acquiring a full copy of my own, the hype and airplay of West’s album inadvertently became the haunting soundtrack to a summer gone wrong, following me on a horribly disappointing Las Vegas roadtrip (during which my “friends” actively gave me a hard time and hindered my plans to explore the town) and tempering the feelings of unrequited love towards a girl I met online who had just moved into my city but ended up with someone else. And while I would later become a huge Kanye fan through his subsequent work, this first album would long be associated with that depressing summer of 2004–like seriously, it was pretty bad, it took years for me to get over those events. As for Berryz…well, I simply had no idea they existed, as any attempt to get me to become an idol fan at that time would likely have been scoffed at, me being “too cool” for such “soft sugary pop shit”.
Both problems, however, would be rectified by a series of interesting coincidences and converging events eight years later.