The Art of Creative Critique (AKA why I remix)

Shameless plug time? Yes, shameless plug time.

Around early November last year I completed and posted this little thing:

A remix of C-ute’s “Kanashiki Heaven”, which I cleverly renamed “Kanashiki Amen” in honor of the main sample I used; the remix was borne out of a desire I’ve had since the beginning to put my own spin on that particular C-ute song as well as an excuse to utilize that legendary “Amen Brother” drum break in some kind of composition–and with the remixed title merging together the way it did, you could say it was a match made in…heaven.

The end result is a contrast to the original, as I chose to replace an intense high tempo rock sound with a somber mid-tempo funky groove beat that matches better with the song’s vocal flow and sad lyrical theme, and swap out busy layers of instrumentation for scratched rap quotes that punctuate the rhythms and make reference to the performers, their lyrics, and the new beat. It was quite fun working on this, especially with the stereo separation of each singer’s vocals, the samples used, and random experimentation leading to the subtle inclusion of a video game theme right after the second verse, but admittedly it was a bit frustrating as well, with inspiration sometimes hitting roadblocks along with the tedious nature of certain aspects of remixing (sample morphing, sound volume checks, etc.).

More than simply having fun with a song I like, however, this remix was also a statement. Taking advantage of my access to a means of music production, it was my way of saying “I’m impressed by what you’ve done, but here’s how I would’ve done it”. “Kanashiki Amen” was a personal celebration of the awesomeness that is “Kanashiki Heaven”…but at the same time it was also a critique of the song.

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